There is a “Salute to American Grafitti” planned in my hometown next weekend. It is three days of nostalgia. There will be Classic cars, 50s costumes, cruising, music, and more. It is a celebration of the innocence of the post World War II years, before JFK and King and Malcom X and RFK were assassinated. Theirs were deaths that would change the nation for generations. This party will be about the decade before all hell broke loose.
Yes, by all means, let us celebrate a decade of oppression, conformity, and the ever-present, underlying terror of nuclear war. Let’s root for Joe McCarthy’s Communist hysteria, black-listing, and the loss of civil liberties. We should dance with joy in celebration of our country’s first “police action” in Korea, that lovely warm-up to Vietnam and Iraq. Everyone was supposed to fit into neat little boxes. Giving birth was practically a national pastime and mom stayed at home taking good care of those babies as they popped out, and found immense satisfaction in caring for her home, washing dishes, scraping shitty diapers and waiting on her husband hand and foot. Dad was at work; the kids were at school or playing nicely in the front yard on the newly mown grass. The teen girls were readying themselves for matrimony, and hey, if they don’t find one by the time high school was over, college might be a good place to fsnag a man. There was even a box for a rebel, as proven so well by James Dean. More than one at a time meant gangs. Come to think of it, even gangs were conformists; they all wore the same cool clothes.
No one was gay or unhappy and certainly not different. It was just normal to practice bomb drills, and build fallout shelters.
An all out salute to the 1950s lifestyle depicted in the film American Graffiti is really ironic. It is a film that takes place in 1962 and was filmed in 1972, but the style is all 1950s. The need to alter our perception of history is palpable. The need to believe that we once truly lived in a simpler time is understandable. It may have been simpler then, but it certainly wasn’t safer. Not really.
But I suppose that there were good things to remember, even if we have to squint to see them, to make the frame as small a possible to keep the ugliness out of our line of sight. There is joy in most every sorrow; somewhere in there we humans have managed to survive, in part I believe, because we can find enjoyment, laughter and love. And I suppose that as much as anything, the salute to the movie and that time in history is really a salute to the good that did exist.
Isn’t that, after all, what nostalgia is?
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